The Fatal Flaw is an epic tale of love, loss and becoming. If Cacophony, Paris Paloma’s 2024 debut, was a window into her inner world, 2026’s follow-up, The Fatal Flaw, sees her turned inside-out, her heart laid bare. Through Paris’s lyricism, soaring vocals and cinematic production, she conducts a meticulous post-mortem of her own emotions, revelling in their gruesomeness and catharsis, and ultimately resolving to cherish them as evidence of humanity at its most sublime. This new chapter arrives after a defining breakthrough year: her platinum-certified single “Labour” has ignited a global feminist movement, generating over 750 million Spotify streams and more than 11 billion views across social media, soundtracking conversations from reproductive rights to anti–sexual violence advocacy, and establishing Paris as one of the most vital and articulate voices of her generation.

The album opens with “Miyazaki”, a defiant creative manifesto named after the legendary filmmaker Hayao Miyazaki. “I have something to say,” Paris declares, breaking the fourth wall as she introduces a record rooted in the unstoppable human need to create. That emotional landscape is as political as it is personal. “Good Girl”, a formidable alt-dance reckoning with the commodification of women’s bodies, sparked widespread conversation following her appearance on BBC Woman’s Hour, while “Good Boy” reframes feminism as a call for solidarity with men, rather than division, with a powerful introduction read by Emma Thompson. The Fatal Flaw is inhabited by a cast of Paris’ great loves: romantic and platonic love, love for herself and for the natural world. But each of these relationships are intertwined with a fourth love, a constant love of art, one that provides the vocabulary needed to express the inexpressible. With its title drawn from the opening line of Donna Tartt’s The Secret History, and influences spanning J.W. Turner’s seascapes, the writing of Bell Hooks feminist theory and the romanticism of the Pre-Raphaelites, the record at its core is a belief in art as a living, breathing force - the thing that “changes the colour of the air that I breathe.” This balance between intimacy and expansiveness defines Paris’ world. Her live shows have become communal rituals, where fans exchange fairy messages, books and moments of quiet connection. Following a sold-out UK and European arena tour supporting Florence + The Machine - with Florence Welch joining her on stage in Berlin - she now steps into her own era of scale, with her biggest headline tour to date across the UK, Europe and North America. Beyond the stage, her voice continues to resonate across global culture, with performances on The Late Show with Stephen Colbert, Later... with Jools Holland and The Kelly Clarkson Show, and acclaim from The New York Times, Rolling Stone and The Guardian. Paris has also contributed “The Rider” to The Lord of the Rings: The War of the Rohirrim, joining a lineage of artists whose voices have shaped the Tolkien universe. Now, The Fatal Flaw starts a lineage of its own; an extraordinary collection of songs, an anthology from an artist at her most radically vulnerable, who urges us, in turn, to be brave enough to feel deeply. “I wanted to write these songs like they were for great walls, tapestries and heavy paintings, not just diaries,” declares Paris.