Shady Nasty subvert expectations. In a world bound by modded cars, immigrant heritage and digital obsessions, Kevin Stathis, Haydn Green and Luca Watson craft a left-field breed of punk that pushes their formal training in jazz and classical music to its most uncustomary extremes. Influences like King Krule, Low Life and Show Me The Body surface not as reference points, but as undercurrents — absorbed and reconfigured into something idiosyncratic and distinctly their own.

Early EPs Bad Posture and CLUBSMOKE earned praise from The Guardian, NME, Kerrang!, The Line of Best Fit, DIY, Stereogum and VICE, each showcasing immersive world-building that has shaped a consistent voice over the past seven years.

Marked by a distinctive harbour-city twang, TREK — their long-awaited debut album — grapples with the less-than-glamorous hard graft of staying afloat while remaining creatively uncompromised in Sydney.

Produced by Kim Moyes of The Presets, the record ventures into more textured, exploratory territory than ever before. Four months in, it’s resonated with longtime fans and newcomers alike, earning acclaim from FBi Radio (Album of the Week), RTR FM (Feature Album), triple j Unearthed (Feature Artist), NME Magazine, Ones to Watch and more.

Recently, the group has shared stages with Skeleten, Shame, High Vis, Ho99o9, Sleaford Mods, Gustaf, Amyl and The Sniffers, among others. Through their own headline shows, they’ve cultivated a cult following across Sydney’s underground — including a sold-out run of album shows earlier this April. No matter the venue, no matter the bill, devout adherents clamber to fuel a heaving mosh.